Imagine you can get access to the most exciting and fresh artworks out there. Hyper-curated onto your mobile screen. No email, no long buying process, no waiting list. We use a raffle system to give everyone the same chance to acquire an artwork. No matter at what time you hit the “buy” button. Our process is simple: We drop one original artwork at a time. If you want it, enter the draw. A raffle will pick a lucky winner after 24 hours. Good luck. Instagram

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previous drops

98

Karel Dicker

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98 Karel Dicker
Grenadine with a drop of vodka (2024)
Acrylic on cotton, french oak frame
20 x 25 cm
(SOLD)

Why we like it

Karel Dicker’s works capture still unfolding moments. Beyond the frames’ edges, outside his enchanted canvases, live the people who drink from that glassware, witness the sunsets and exhale the smoke from those cigarettes. Like a magnifying lens on an eternal postcard, the artist peers into a special fragment of a singular space-time.

97

David Hanes

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97 David Hanes
Hope (2023)

Oil on canvas
78 x 53 cm

Why we like it

Often defined as nomadic or atemporal, Hanes’ work consists in grasping the emotional essence of places, employing audacious lights and lines to translate landscape into vivid paintings. His methodology preserves a straightforward perception on the outer world, reshaping our panoramas through explosive brush strokes and clashing hues.

96

Madita Kloss

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96 Madita Kloss
Texting an eggplant (2024)
Acrylics & oil pastels on canvas with wooden frame
70 x 50 cm

Why we like it

Kloss’ paintings guide the audience on an earthy journey filled with vibrant tones, intimate moments and intuitive gestures. Her imagery celebrates life without any chromatic restrictions, unleashes a strong feminine energy and explores the transformative power that lies in the reinterpretation of modern art currents.

95

Amber Larks

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95 Amber Larks
Be With Me Here, Now (2024)
Oil on canvas
61 x 61 cm

Why we like it

Larks’s work incorporates themes of identity, belonging, purpose and existence. Metaphysical and dystopian worlds are navigated across art-to-science parallelisms, her creations vibrate between microscopies and colourful nebulae, seeking a personal reading of our surrounding universe. She addresses perception from human, environmental and spiritual viewpoints, while discarding power structures.

94

Adelisa Selimbašić

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94 Adelisa Selimbašić
Repeat twice (2024)
Oil on canvas
50 x 50 cm

Why we like it

Selimbašić celebrates contemporary femininity through an inclusive and unconventional eye, portraying a diverse spectrum of bodies and ethnicities. Instead of addressing one individual identity, she offers a window into multiple subjectivities, freeing the audience from judgment or stereotypes. Radical pastel tones and fluid brushstrokes endow her pieces with an almost tangible quality.

93

Abbey Muza

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93 Abbey Muza
Undressed Mirror (2024)
Silk, wool, cotton, dye, sewing thread, linen, steel, enamel
35 x 65 cm
(SOLD)

Why we like it

The parts, i.e., the threads intertwined by Muza, are assembled together until a plot is obtained: the woven surface. Their compositions are revealed on the one hand, in a perpetual tensive status, and on the other, dismantle any hierarchical or ordinary visual expectations, thus favoring an expansive, unexpected and abstract language.

92

Juliette Sturlèse

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92 Juliette Sturlèse
Purple Haze (2024)
Oil and beeswax on canvas
41 x 46 cm
(SOLD)

Why we like it

Juliette Sturlèse transcribes how sensory experiences shape the perception of reality, creating paintings close to mindscapes. Her senses powerfully capture emotions, scents, light, human encounters and conflicts; through layering paint, she then integrates beeswax and oil pigments to create dense, tactile color fields that pulsate with internal energy.

91

Rade Petrasevic

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91 Rade Petrasevic
Ok, no (2021)
Oil on canvas
60 x 50 cm

Why we like it

Flat, instinctive brushstrokes, akin to those of a felt-tip pen, distinguish Petrasevic’s language. Straightforward shapes and cheeky titles allow immediate associations and multiple readings of his drawings, conveying universal accessibility and intimacy. The author openly addresses sexuality, fetishes, body transformation as well as the tension between private and public.

90

Sally Jerome

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90 Sally Jerome
Teethers (2023)
Oil on canvas
56 x 46 cm

Why we like it

Faceted, spiky and climbing, Jerome’s rhythmic models exist within the urban context and invade it, reclaiming space. Shrubs, bulbs, roots, mushrooms and even wild flowers, peep out among loose soil and uneven pavements. The artist creates narratives of places we absently cross, observing how new generations continually overlap with former ones.

89

Camille Cottier

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89 Camille Cottier
La Sieste (2024)
Acrylic on canvas
50 x 60 cm

Why we like it

Cottier pairs soft forms and intense contrasts, intertwining within dormant bodies; sometimes these are captured in a sensual encounter or, at other times, in a solitary melancholy. Her paintings are an ode to slowness of gestures and tempo, which may indulge the viewer onto a gentle lethargy, a cataclysm of intimate emotions.

88

Magnus Reid

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88 Magnus Reid
Flower study (2024)
Oil on canvas
70 x 50 cm
(SOLD)

Why we like it

Reid’s works radiate in organic and ritualistic patterns, guiding the viewer through an intuitive visual journey filled with plants and symbols of an almost mystical aura. He draws on current social conversations such as climate change, religious or spiritual movements, and how these topics may be conveyed through digital platforms.

87

Sevina Tzanou

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87 Sevina Tzanou
Selfcare (2024)
Oil and Acrylic on canvas
60 x 40 cm

Why we like it

Tzanou’s depictions are driven by a strong commitment to the deconstruction and celebration of queer and hyper-feminine peculiarities within painting and its historical language. Through a whimsical and provocative lens, her chaotic and theatrical world reveals a colorful human sexuality emancipated from the heteronormative spectrum.

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86

Filippo Cegani

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86 Filippo Cegani
Guardian Angel (2024)
Acrylic on canvas
40 x 30 cm
SOLD

Why we like it

Drawing with airbrush and generating transparent, almost plastic details, Cegani reinterprets religious emblems found in Christian beliefs and relocates them within the digital realm. This combination of different perspectives becomes a way for the artist to process his feelings towards religion, how the latter has been recounted and visually proposed to collectivity.

85

Anastasia Carvalho

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85 Anastasia Carvalho
La fuite (2024)
Oil on canvas
120 x 100 cm

Why we like it

Constituted by a continuous back and forth in time and space, Carvalho’s creations are experiments guided by simple acts following one another. Mineral materials embrace soft, pastel-colored forms: the artist entangles the visual and tactile spheres in a composition which emerges and rests, frozen in paint, crystallized.

84

Thomas Mau

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84 Thomas Mau
Vampyr (2023)
Acrylic on raw canvas
40 x 30 cm
(SOLD)

Why we like it

Captivating yet intimidating, Mau’s works are visual elegies whose genesis occurs between the encounter of sacred literature and purple gestural traits. Obscure, solitary creatures watch us with mystery, embracing a dance with death, while landscapes at dusk set the threshold of a troubled dream we wish to interpret.

83

Mark Burch

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83 Mark Burch
Chasing rabbits (2024)
Oil on canvas
70 x 55 cm
(available / inquire here)

Why we like it

His stylistic vocabulary catapults the viewer to the still image of an amateur video, a moonscape or a psychedelic composition. Extracted from VHS tapes, photographic films and personal snapshots, Burch’s imaginaries drag us into an cinematic loop simulating human tendency to wander through fragments of nostalgia.

82

Nina Bachmann

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82 Nina Bachmann
Summertime Sadness (2024)
Acrylics, oil & oil sticks on canvas
30 x 40 cm
(SOLD)

Why we like it

While serving as a vehicle for social criticism, Bachmann’s works portray humorous realities, light-hearted instants, excess and decay. Her gender-indefinite protagonists release garish hues, as the audience finds itself immersed in an opulent visual feast and is driven to seek a position in what it witnesses.

81

Yam Shalev

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81 Yam Shalev
Spring breeze (2024)
Oil on canvas
50 x 60 cm
(SOLD)

Why we like it

Delicious, decadent tables or dwellings still lifes share details and private moments as much as collective habits. Yam Shalev paints conversations and stories about a society which unfolds around the dining setting. His canvases are romantic, imperfect, abundant, they raise narratives of diverse yet inextricable cultural identities.

80

Tiziano Autera

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80 Tiziano Autera
Eternal mind (2024)
Acrylic on canvas
40 x 40 cm
(SOLD)

Why we like it

Autera’s creative production stems from a sense of liberating catharsis, driven by a persistent desire for self-reinvention and reformulation. His paintings incorporate curious liquid silhouettes, metallic colours and otherworldly creatures, all venturing into tridimensional intersections of abstract and semi-abstract essences.

79

Ces McCully

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79 Ces McCully
Un monstre (2024)
Oil stick and acrylic on canvas (framed)
102 x 82 cm
(SOLD)

Why we like it

A creative configuration of pure geometry and vivid tones characterizes McCully’s work. Textiles patterns and 90s video games from youth are among the cues animating her compositions, while figures and textural notions lie as direct as the flattened nature of her tableaux. The artist celebrates the diverse folk traditions and architectural currents absorbed throughout her existence.

78

Elisa Breyer

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78 Elisa Breyer
Get ready with me (2023)
Oil on canvas
40 x 30 cm
(SOLD)

Why we like it

In Breyer’s pictorial practice, inspirations arise foremost from what she feels rather than from what she observes. Influenced by the Bauhaus photographic heritage and framing her canvases also vertically, she grasps exceptional situations or interpersonal closeness, moods, styles, contemporary society and their gestures.

77

Filip Mirazovic

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77 Filip Mirazovic
Delftwin (2024)
Oil on canvas
50 x 40 cm
(SOLD)

Why we like it

Mirazovic’s work retains the force and narrative of classical realism, while being infused with an expressionist trait. The dimly lit interior spaces and still lifes are pervaded by ornamental, sculptural and natural elements hinting at human figures, whose proportions, features and role, however, are often symbolic or allegorical.

76

Miriam Beichert

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76 Miriam Beichert
Hol mich ab (2024)
Acrylic on canvas
45 x 85 cm
(available / inquire here)

Why we like it

Beichert’s work delves into contemporary lifestyles and mirrors the immediate environment, interweaving material, graphic and telematic motifs. Portraits of mobile phones, clothing, watches as well as ordinary belongings emerge and dissolve like faded memories, traced through blurred airbrush lines and neutral chromatic gradations.

75

Miroslav Pelák

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75 Miroslav Pelák
Picnic (2024)
Oil on canvas
45 x 35 cm

(SOLD)

Why we like it

Forging a stylistic imprint that hybridizes postmodernism and social realism, Pelák proposes paintings that might be read as an elegy, a satire or a critique on contemporary society. Interpreters of robust and unbalanced proportions move within the political-cultural contexts observed by the author, often studded with adversities and contradictions.

74

Gemma Solà Sotos

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74 Gemma Solà Sotos
Eyes full of sky (2023)
Oil on canvas
90 x 70 cm
(SOLD)

Why we like it

Solà Sotos forges ties between memories, anecdotes, ambiences and emotions that shape the world around her. Brought back to canvas through mixed interventions and techniques, these emblems of nostalgic soul decode into a cipher of meaningful entities and weave a narrative that blends bittersweet sensations, enchanted tones and jarring lines.

73

Martin Lukáč

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73 Martin Lukáč
Me Turtle (2023)
Oil and oil stick on canvas
60 x 50 cm
(SOLD)

Why we like it

Reiteration and reduction formally define Lukáč’s oeuvre, but are also fundamental to his unfettered and intuitive creative process. Motifs borrowed from emblematic aesthetics of recent past or pop icons which influenced the 90s mindset, are extracted from their context, exhaustively reworked, until sometimes migrating toward abstractions.

72

Matthew F Fisher

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72 Matthew F Fisher
So Much, As Much (2023)
Acrylic on canvas
17,8 x 22,8 cm
(SOLD)

Why we like it

Landscapes floating in time, as when the most uniform wave reaches its perfect inflection point before curving. A sense of serenity shines through Fisher's canvases, and also reflects his creative process. By wisely layering and silhouetting deep blue gradients to pastel highlights, his subjects acquire a quasi-sculptural volume.

71

Kyvèli Zoi

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71 Kyvèli Zoi
Enlightened (2022)
Oil on linen
30 x 24 cm
(available / inquire here)

Why we like it

Private yet audacious, Zoi's paintings shed light on body details, gestures, symbols and rituals. Her figurative language involves cinematic and tight compositional cuts, which channel the focus on narration and message, while immobilizing the essence of the portrayed identities in intimate moments of reflection and disclosure.

70

Judith Grassl

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70 Judith Grassl
Arrange Déjàvu (2024)
Acrylic on wood
65 x 55 cm
SOLD

Why we like it

Grassl's research revolves around a compositional synthesis akin to collage. Furthermore, she merges pictorial tangible forms with shifting states of light, achieving a perfect harmony between clarity and ambiguity. Natural and familiar elements, deconstructed and reimagined as three-dimensional, float from past to present and act as exploratory channels for time perception.

69

Thibaut Bouedjoro-Camus

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69 Thibaut Bouedjoro-Camus
White mask Fanon (2023)
Oil on canvas
60 x 90 cm
SOLD

Why we like it

Just as tools for understanding and probing oneself in the tumult of a larger story, Bouedjoro-Camus' works are openings towards interrelationships between people far apart in time or appearance. Encounters at times improbable, others utterly intimate. A crossroads of narratives operates together, opening doors, windows and frames towards infinite reading possibilities.

68

Jieun Choi

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68 Jieun Choi
In Silence (2023)
Oil on canvas
105 x 75 cm
SOLD

Why we like it

Charged with energetic tension and often fused in embraces, Jieun Choi's bodies evince living ensembles that go beyond physical reproduction and immobility. In her drawings, quotations from exponents of metaphysical art, fragments from contemporary times and ethnic migrations from one body to another, merge.

67

Negar Ghiamat

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67 Negar Ghiamat
Untitled (2022)
Acrylic on canvas
50 x 50
SOLD

Why we like it

Boldly defying canonical stylistic interpretations, Ghiamat's pieces blur identification of purely figurative elements and give way to an idiom that reflects a vision as pure as it is personal. The artist discards all constraints in her creative process and visually reproduces the conversation occurring between her and her canvases.

66

Mickey Mason

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66 Mickey Mason
Slice of Paradise (2023)
Acrylic, stone and glitter on canvas
60 x 50 cm
SOLD

Why we like it

A painting style infused with country music, spy and sci-fi thriller citations, tropical paradises or unexpected excursions of alien spaceships. Artist Mickey Mason creates compositions suspended in dreamy scenarios, whose protagonists interpret villains and movie stars from the 60s or dance along celestial waves on a surfboard.

65

Sofia Pashaei

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65 Sofia Pashaei
A flower doesn’t have a backside III
Pencil on paper
29,7 x 21 cm
(SOLD)

Why we like it

A suspended narrative that encompasses personal references, Pashaei’s paintings stage time flowing and multiple stories unfolding, describe gently changing architectures, fading sunrises and moons rising, subjects and objects dwelling within one frame. Bodies often become part of the interior itself, a metaphor for the attempt -sometimes awkward and faltering- to fit into a new society.

64

Mie Olise Kjærgaard

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64 Mie Olise Kjærgaard
One way or the other (2022)
Watercolour on paper
29.7 x 42 cm
(SOLD)

Why we like it

What if paradise on earth could be true? Mie Olise Kjærgaard inhabits her canvas with free-spirited, „disobedient muses“ that are just having fun, longing for a (female) utopia where memories of the past and dreams of the future unite.

63

Landon Pointer

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63 Landon Pointer
Theresa’s light (2023)
Vinyl emulsion and oil pastel on handmade paper
58,4 x 38 cm
(SOLD)

Why we like it

Landon Pointer ushers us on a physical and time-traveling journey through his own story. At once raw, intimate and endearing, his portrayals empathetically ignite contemplation by the approaching viewer. Pointer delves into complexities associated with the transition between youth and adulthood, both tapping its traumas and referencing popular culture.

62

Dominik Scharfer

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62 Dominik Scharfer
Bauernfeind (2023)
Acrylate varnish on canvas
40 x 30 cm
(SOLD)

Why we like it

Manifestations of everyday experiences invading our physical, psychological and emotional space, unfold in Scharfer’s work. Through a language that exudes outwardly childlike and deliberately satirical messages, the expressive clarity of the artist supports twisted yet personal quotations on the social failings in contemporary society.

61

Daniela Elorza

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61 Daniela Elorza
Máscara (2021)
Oil pastel and crayon on sandpaper
29,7 x 21 cm
(SOLD)

Why we like it

Elorza goes beyond the idea of herself like an image creator, becoming an archeologist, whose pieces become in turn fragments of an ever-evolving artefact. Hence her art - as the rest of the visible manifests as material and spirit - is subjected to universe rules and acts as pedagogic instrument as well.

60

Jonas Mayer

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60 Jonas Mayer
Knockout (2022)
36 x 29 cm
Oil and acrylics on paper
(SOLD)

Why we like it

As simple as a child impersonating somebody else during a game, a sequence that often reverberates in Mayer’s work. Interacting with his paintings, we are readily thrown back in time: assuming a “role” once more becomes a practice for grasping the pliability of one’s own being, theatre, ludic and discovery instincts.

59

Kristof Santy

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59 Kristof Santy
Cours De Dessin #19 (2022)
Pencil and wax on 130 gram simili japon paper
56 x 38 cm (unframed)
60 x 42 cm (framed)
(SOLD)

Why we like it

Still lifes of gastronomic delights and kitchen equipment, with a slightly retro flavour, pose in flattened but brilliant compositions; ingredients from ordinary life become iconic and memorable. Santy’s tableaux shed light on small pleasures that populate everyday existence, on those transient rituals which sometimes get overlooked or forgotten.

58

Lindsey Jean McLean

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58 Lindsey Jean McLean
Light Boa (2023)
Watercolour on paper
35,5 x 25 cm
(SOLD)

Why we like it

Shrouded or concealed, an act of mimicry or seduction? By pairing audaciously toned corporeal shapes with serpentine contortions, Lindsey Jean Mc Lean conveys a narrative of intimate yet universal emotions in her works, addresses inner struggles, demolishes demure boundaries and questions traditional perceptions of femininity.

57

Martin Paaskesen

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57 Martin Paaskesen
Untitled Pink Shark (2023)
Acrylic, Oilstick, marker on paper
29,8 x 35,5 cm
(SOLD)

Why we like it

Martin Paaskesen creates alternative worlds in negative spaces. He fills the void with naïve figurations and fractured landscapes from childhood in order to disrupt narrative unity and to explore his own artistic freedom and identity.

56

Daniel Clurman

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56 Daniel Clurman
Selfie (2021)
Mixed media on paper (pencil, crayon & oil pastel)
41 x 30 cm
Price: €630,-
(available / inquire here)

Why we like it

Shedding light on a variegated humanity and the intersections of race and gender, Clurman’s practice becomes a platform for dialogue and understanding, while exploring identity complexities and triumphs of resilience. His creative soul invites to challenge conventional standards of beauty, offering a contemporary perspective on the power of inclusive representation.

55

Magda Kirk

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55 Magda Kirk
Strong Man with Tattoos (2020)
Acrylic ink on paper
50 x 70 cm
(SOLD)

Why we like it

Halfway between fertile Venuses and mighty Titans, Kirk’s pulpy bodies glow in neon hues and sugary steams. They have no visages, only muscles, hair and skin, where tattoos and blood vessels flow on a common map. Form and content intertwine, arousing emotions from appreciation to rejection. Different, yet somehow the same.

54

Andre Wendland

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54 Andre Wendland
Bubble Bath Back Scrubber (2023)
Oil pastels on paper
40 x 40 cm
(SOLD)

Why we like it

The world in a box: André Wendland´s cartoonish characters come to life within the four walls of his canvases, containing humorous scenes of daily life and investigations of space.

53

Kyle Orlando

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53 Kyle Orlando
At the night moon, the days rain (2022)
Acrylic & spray paint on strathmore paper
38 x 29 cm
(SOLD)

Why we like it

Through his paintings and collages, Orlando stages vicious felines and automobiles in destruction. These motifs reveal more than just an artistic approach, rather, a healing process enabling the author to awaken from an individual catharsis, defeating his monsters and piecing things together after a collapse.

52

Anouk Lamm Anouk

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52 Anouk Lamm Anouk
Anouk Lamm Anouk
Reh N°4 (2023)
Acryl on Dorée paper
29,7 cm x 21 cm
(SOLD)

Why we like it

Their practice investigates the visual languages of fluid identity and the body, embracing animals and hybrid organisms in a realm devoid of systems dictated by anthropocentrism or society. Anouk dialogues through beings and rhythms that, within an imperturbable and holistic cosmos, evoke both contemplative spaces and intense desires.

51

Jochen Mühlenbrink

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51 Jochen Mühlenbrink
WP (2023)
Oil, resin and acyrlic on paper
39 x 26,2 cm
(SOLD)

Why we like it

Jochen Mühlenbrink has perfected painterly illusions through his trademark trompe-l’œil technique, taking a philosophical approach in trying to grasp the space between reality and delusion, knowing and unknowing, the visible and the hidden.

50

Martin Kacmarek

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50 Martin Kacmarek
Ploughing (2023)
Airbrush on paper
29,7 x 21 cm
Price: 500,-
(available / inquire here)

Why we like it

Martin Kacmarek leads us back to a yesteryear painting, where spontaneity in shapes and process are the major keynotes. Whether influenced by digital references such as the videogame Farming Simulator and Instagram, or gets carried away until dusk in portraying rural landscapes "en plain air", the artist returns onto his canvas the beauty concealed in a laborious life built on small gestures.

49

Ralf Kokke

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49 Ralf Kokke
Cenobite Tales IX (2022)
chalk paint on yupo
30,5 x 22,8 cm
(SOLD)

Why we like it

While chaos and turmoil in ordinary life might overshadow perceptions of magic and enchantment, Kokke’s oeuvre encourages to remember infancy and imagine a realm where archaic and contemporary merge. He enriches pigments with unconventional materials such as chalk, wood dust or egg yolk, resulting in a thick, grainy texture reminiscent of ancient frescoes.

48

Elisa Alberti

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48 Elisa Alberti
Untitled (2023)
Acrylic on paper
29,7 x 42 cm
(SOLD)

Why we like it

A perfect act of balance. Peeling layer by layer of Elisa Alberti´s minimalist paintings, every line, shape and color is met with absolute control and precision. The purity of the form stands for itself, liberating her aesthetically-pleasing surfaces from any representative or symbolic order.

47

Aneta Kajzer

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47 Aneta Kajzer
Verkleidet (2023)
Oil & Oilstick on paper
29,5 x 21 cm
(SOLD)

Why we like it

A flow of chromes, fumes and brushstrokes molds Aneta Kajzer's pictorial vocabulary. Earth faunas, ghosts or meteorological phenomena resonate at once harmonious and mysterious. The artist generates forms which insinuate into the collective visual memory and proceeding in layers on the canvas, facilitate a continuous emotional overlap.

46

Matthew Cole

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46 Matthew Cole
Matthew Cole
Nightsurf (2023)
Acrylic over monotype on paper
55x48 cm
(available / inquire here)

Why we like it

Canvases which reminisce and rest on peeling walls, they are travel snapshots or record fragments from the subconscious. Through painterly gestures and imprints, Matthew Cole aggregates a jagged composition of different sources - photographs, historical references, living interiors and idyllic landscapes lie in a limbo between imagination and real-life moments.

45

Kpe Innocent

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45 Kpe Innocent
Playing to win (2023)
Acrylic on paper
29,7 x 21 cm
(SOLD)

Why we like it

What do geometrical shapes have to do with love? Ghanaian artist Kpe Innocent explores human connection, inclusion and belonging through his voluminous semi-autobiographical characters.

44

Denise Rudolf Frank

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44 Denise Rudolf Frank
Lazy but fast (2023)
Oilstick on paper
57 x 42 cm
SOLD

Why we like it

Denise Rudolf Frank's autobiographical pen spirits her colorful and enigmatic paintings, as she explores the vitality and tactility of life. Her process is deeply personal and cathartic and should not be understood but felt!

43

Jan Rybnicek

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43 Jan Rybnicek
Soulmate (2022)
Oilstick on paper
21 x 15 cm
SOLD

Why we like it

Nothing seems like it is with Jan Rybníček. Submerge into the underworld, between the impenetrable and soft-core. What can a shadow figure tell us about the unconscious dream state?

42

Julia Kowalska

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42 Julia Kowalska
Untitled (2023)
Crayons on paper
17,5 x 14,8 cm
SOLD

Why we like it

Murky backgrounds host figures radiating an internal light source. Julia Kowalska explores potential encounters between intimacy, biology and anatomy through a powdery but brilliant language. Seeking out diverse perceptions of corporeity, the artist weaves oneiric dualisms prompted by the feeling of unreal and unknown which may be endured within dreams.

41

Sofia Pashaei

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41 Sofia Pashaei
Ever changing ways (2023)
Oil on linen
80 x 60 cm
(SOLD)

Why we like it

A suspended narrative that encompasses personal references, Pashaei's paintings stage time flowing and multiple stories unfolding, describe gently changing architectures, fading sunrises and moons rising, subjects and objects dwelling within one frame. Bodies often become part of the interior itself, a metaphor for the attempt -sometimes awkward and faltering- to fit into a new society.

40

Arsène Welkin

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40 Arsène Welkin
Torero aux Yukas (2023)
Oil Pastels & oil paint on linen canvas
80 x 60 cm
(SOLD)

Why we like it

Arsène Welkin's language emerges as a composition of personal mythologies, a theater of existence rekindling past tales, travel mementos and fauvist repercussions. Described as “loquacious”, his paintings share the same rhythmic essence as music, chanting stories of encountered phantoms and envisioned creatures, later brought to life by sincere brushwork and earthy tones.

39

Brittany Tucker

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39 Brittany Tucker
Drinking Buddies (2021)
Acrylic on Canvas
60 x 50 cm
(available / inquire here)

Why we like it

Her representations invite to contemplate complexities of racial stereotypes and identities whithin contemporary relationships. Navigating her own practice as an outsider, Brittany Tucker examines what entails learning to find and understand oneself, deftly measures the weight between playfulness and pain, and recognizes art as a tool for personal healing as well as historical reflection.

38

Hannah Bohnen

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38 Hannah Bohnen
On the Phone 2 (2023)
Varnish on MDF
52 x 35 cm
SOLD

Why we like it

Through landscapes of frozen gestures and fluid forms, she confers on fugacious motion an aura of permanence within the concept of dissolution. Capturing gestures and monumentalising them in sculptures, figurations and installations is a method for Bonhen to record the passage of time and play with the possibilities of our perception.

37

Daniel Clurman

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37 Daniel Clurman
Cup Cake Love (2023)
Oil on canvas
51 x 41 cm
SOLD

Why we like it

Shedding light on a variegated humanity and the intersections of race and gender, Clurman’s practice becomes a platform for dialogue and understanding, while exploring identity complexities and triumphs of resilience. His creative soul invites to challenge conventional standards of beauty, offering a contemporary perspective on the power of inclusive representation.

36

Vincent Krüger

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36 Vincent Krüger
Playing with my younger self (2023)
Oil on metal
100 x 62 cm
SOLD

Why we like it

His paintings describe unusual or ordinary life situations, to which he confers an oneiric or tragic touch, and even a blend of fiction and realism. The contents may appear lighthearted, sometimes romanticized; however, they address serious matters such as physical disputes, aggressivity and invasion of personal space.

35

Yorgos Stamkopoulos

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35 Yorgos Stamkopoulos
Untitled (2019)
Oil on unprimed canvas
40 x 30 cm
SOLD

Why we like it

Upon reading his canvases, we discern references to natural landscapes and the melodies such places convey, elements that outline Stamkopoulos' contemporary abstractions. Gradual construction and deconstruction constitute the components of a fragmented yet poetic pictorial approach. A rhythm between two poles in conversation dissolves across material boundaries and missing territories.

34

Toninho Dingl

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34 Toninho Dingl
Ibuprofen One left (2023)
Acylic on canvas
140 x 85 cm
SOLD

Why we like it

Painting and sculpture merge in a "bumpy dialectic", as the author terms it. Influenced by previous studies in critical economic geography, Dingl approaches each object with a sense of flexibility, challenging established art-world definitions. He aims at liquefying the frozen assumptions inherent within viewers' perception, thus inviting them to explore new perspectives.

33

bob geerts

Bob Geerts

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bob geerts

33 Bob Geerts
Jaripeo (2023)
Mixed media on linen
70 x 70 cm
(available / inquire here)

Why we like it

His work leads to a dimension where antiquity encounters novelty, where old-school and contemporary converge. Geerts engages painting as he approaches tattooing – the genesis of his creative vocabulary. Aiming to fuse these two worlds, he embraces their analogies while simultaneously extolling their peculiarities.

32

kyle orlando

Kyle Orlando

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kyle orlando

32 Kyle Orlando
Dropped my bag, up a block, grab a loosey (2022)
Acrylic and spray paint on canvas
41 x 31
SOLD

Why we like it

Through his paintings and collages, Orlando stages vicious felines and automobiles in destruction. These motifs reveal more than just an artistic approach, rather, a healing process enabling the author to awaken from an individual catharsis, defeating his monsters and piecing things together after a collapse.

31

Dejan Dukic

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31 Dejan Dukic
Hand in hand (2020)
Oil through canvas
15 x 12 cm
sold

Why we like it

Dejan Dukic massages paint through the textile weave of the canvas, gently pressing from behind the fiber to the visible surface, and compacting the two matters into a dramatic, multi-tone topography. Following a patient drying season, a texture formation featuring tactile sensitivity assumes the similarity of fragile outgrowths.

30

Paul Riedmüller

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30 Paul Riedmüller
Outward appearance (2022)
Acylic on canvas
40 x 30
sold

Why we like it

Riedmüller illustrates stimuli acquired physiologically and through technology reversing directional dynamics familiar to us. The unlimited resources of images we nowadays encounter, however, also require gesture and meaning to define an artistic practice. Rather than multiply the unique digitally, the artist flips the process: reducing potential infinite copies into a single entity.

29

yuma radne

Yuma Radnè

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yuma radne

29 Yuma Radnè
Sisters (2023)
Oil on canvas
40 x 40 cm
(available / inquire here)

Why we like it

Fascinating human and mythological creatures living in faraway lands unfold through Radné's paintings, entwined with echoes of suffering endured by ethnic minorities. The artist converts emotions: perpetual anger into redemption, frustration into enlightenment. A sincere gaze rises on these moods, embracing both the power and beauty each encloses.

28

Magnus Frederik Clausen

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28 Magnus Frederik Clausen
Twentypastseven (Zoë)
Oil on primed linen
24 x 18 cm
(available / inquire here)

Why we like it

Clausen orchestrates his oeuvre through a simple translation system, where the subject matters as much as the involvement of several parties drilling down one after another. By employing random time units, he conveys the sense of constant repetition, thus inducing an emotional response in the viewer.

27

dominik scharfer

Dominik Scharfer

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dominik scharfer

27 Dominik Scharfer
Malaise (2023)
Enamel & acrylic on canvas
60 x 60 cm
(sold)

Why we like it

Manifestations of everyday experiences invading our physical, psychological and emotional space, unfold in Scharfer's work. Through a language that exudes outwardly childlike and deliberately satirical messages, the expressive clarity of the artist supports twisted yet personal quotations on the social failings in contemporary society.

26

philipp zrenner

Philipp Zrenner

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philipp zrenner

26 Philipp Zrenner
Untitled -shutter grey- (2022)
Ink, firehouses, spruce wood, screws, aluminium frame
84 x 63 cm
(sold)

Why we like it

Rather than confining himself to the realisation of a classical painterly-sculptural scenario, Zrenner is interested in themes such as the transitions between artistic fields. Actual genesis of his pieces are those items that already retain traces left by former users, which hence merge with his gestures and interactions. The artist manipulates materials encountered on a specific site or resonates with the space itself.

25

martin kacmarek

Martin Kacmarek

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martin kacmarek

25 Martin Kacmarek
Spending Holidays (2023)
Acrylic on canvas
140 x 120 cm
(available / inquire here)

Why we like it

Martin Kacmarek leads us back to a yesteryear painting, where spontaneity in shapes and process are the major keynotes. Whether influenced by digital references such as the videogame Farming Simulator and Instagram, or gets carried away until dusk in portraying rural landscapes "en plain air", the artist returns onto his canvas the beauty concealed in a laborious life built on small gestures.

24

frank jimin hopp

Frank Jimin Hopp

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frank jimin hopp

24 Frank Jimin Hopp
The last fountain
Oil on canvas
70 x 50 cm
(sold)

Why we like it

Jimin Hopp envisions a world simultaneously absurd and truthful, ecombining contemporary issues with ancient Korean myths, folklore or global archetypes. In his representations, consumer goods are valued above the planet they originate from. Reformulated by the artist through an almost satirical humour, these associations initially mislead and deceive the viewer, but then soon lead to reflection.

23

chun

Chun

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chun

23 Chun
Tuoi Tho (2023)
Embroidered polyester on nylon
30 x 40 cm
(sold)

Why we like it

Expanding the boundaries of painting as a classical genre, Chun's embroideries act as an intermediate transporter between two and three dimensions. The result is a playful but also meticulously coded message; the artist powerfully guides the viewer's gaze through a perception that encompasses the visual as well as the tactile spectrum.

22

Adam Dora

Adam Dora

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Adam Dora

22 Adam Dora
Blue Spots (2023)
Acrylic & oil on canvas
100 x 100 cm
(available / inquire here)

Why we like it

A contemplative attitude and daily observations inform the pictorial compositions produced by Ádám Dóra. Choosing an identificative subject-object, the artist stimulates the viewer to free associations, offers almost endless variations in terms of forms and colors, and most importantly encourages reflection on aesthetic shifts in contemporary culture.

21

edward willes

Edward Willes

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edward willes

21 Edward Willes
A youthful flame (2023)
Textile collage and drawing
60 x 50 cm
(sold)

Why we like it

Edward Willes proposes geometric portraiture outlined by vivid color clusters, in which he explores the idea behind simplicity of forms with a distinctive vision. By merging several techniques including textile collage, painting and sculpture, his creations acquire a unique tactile quality, also allowing the artist to play with texture and depth.

20

nick mcphail

Nick McPhail

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nick mcphail

20 Nick McPhail
Deck (2021)
Oil on canvas
50 x 40 cm
(sold)

Why we like it

The magical aura of Nick McPhail's colorful oil paintings forces us to slow down and be mindful about hidden objects within our periphery. He challenges our perception of architecture and the natural world, returning the viewer to quiet, personal moments spent in public space.

19

martin paasekesen

Martin Paaskesen

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martin paasekesen

19 Martin Paaskesen
Parental advisory (2022)
Acrylic, glue, oilstick on canvas
120 x 90
(sold)

Why we like it

Martin Paaskesen creates alternative worlds in negative spaces. He fills the void with naïve figurations and fractured landscapes from childhood in order to disrupt narrative unity and to explore his own artistic freedom and identity.

18

julien saudubray

Julien Saudubray

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julien saudubray

18 Julien Saudubray
Study #8 (2022)
Oil & dry pastel on canvas
60 x 50 cm
(sold)

Why we like it

Addition and erasure, movement and stillness give form to Julien Saudubray´s mechanistic approach as he searches for the internal structure of painting in his bold compositions that welcome imperfections as a way to rid himself from his subjectivity.

17

allistair walter

Allistair Walter

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allistair walter

17 Allistair Walter
Braulio / EY (2022)
Oil on canvas
110 x 60 cm
(available / inquire here)

Why we like it

Allistair Walter transforms digital snapshots into a personal yet collective archive of visual sensations, in which his blurry shadow figures mediate the tension between intimacy and isolation, realism and abstraction, and de-virtualize digital to physical material.

16

lou ros

Lou Ros

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lou ros

16 Lou Ros
Portrait de Cuicui #3 (2022)
Acrylic on canvas
60 x 50 cm
(available / inquire here)

Why we like it

Figurative art with expressionist influences that keep evolving as an artistic and conceptual ecosystem. Lou Ros´s fading realities are of a political significance and bring to light the reality of seeing, living and breathing.

15

Laura Limbourg

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15 Laura Limbourg
Taiwanese girl (2021)
Acrylic on canvas
90 x 70 cm
(sold)

Why we like it

Political statements hidden behind the soft and diluted contours of Laura Limbourg´s “naïve style”, where her playful ambiguities brings injustice to light.

14

paul grodhues

Paul Grodhues

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paul grodhues

14 Paul Grodhues
The whole town was awake (2022)
Acrylic on canvas
130 x 90 cm
(available / inquire here)

Why we like it

Paul Grodhues invites you to dance along acrobats and charlatans! Inspired by magical realism, his carnivalesque settings are filled with fantasy and humor to celebrate the extraordinary worlds of his enigmatic performers.

13

mie olise kjaergaard

Mie Olise Kjærgaard

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mie olise kjaergaard

13 Mie Olise Kjærgaard
Three is a Crowd on an Alligator (2022)
Acrylic on canvas
100 x 80 cm
(sold)

Why we like it

What if paradise on earth could be true? Mie Olise Kjærgaard inhabits her canvas with free-spirited, „disobedient muses“ that are just having fun, longing for a (female) utopia where memories of the past and dreams of the future unite.

12

noemi conan

Noemi Conan

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noemi conan

12 Noemi Conan
Logging details (2022)
Acrylic on linen
50 x 50
(available / inquire here)

Why we like it

Noemi Conan interweaves feminist stories with capitalist propaganda and Slavic folklore. Her outcast spirits seek refuge in the underworld, allowing them to be unapologetically fierce and their aggressive passivity reflects a political resentment of modernity.

11

andre wendland

André Wendland

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andre wendland

11 André Wendland
Ham&Cheese (2022)
Oil on canvas
100 x 70 cm
(sold)

Why we like it

The world in a box: André Wendland´s cartoonish characters come to life within the four walls of his canvases, containing humorous scenes of daily life and investigations of space.

10

annabell häfner

Annabell Häfner

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annabell häfner

10 Annabell Häfner
Transit 16 (2021)
Acrylic & chalk on canvas
44 x 39 cm
(sold)

Why we like it

Annabell Häfner´s transit paintings are momentums of the modern world. Her blurred visions of non-spaces reproduce intimate memories and places of yearning where time stands still to escape the speed of life.

09

thilo jenssen

Thilo Jenssen

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thilo jenssen

09 Thilo Jenssen
Synapso (2022)
Lacquer & clear coat on canvas
50 x 40 cm
(sold)

Why we like it

Thilo Jenssen paints like no other. His lacquered, abstract surfaces become screens where he draws out our inner desires, fears and ideas. Playing off social codes and pop cultural references, he investigates the stability and fragility of the human body.

08

kpe innocent

Kpe Innocent

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kpe innocent

08 Kpe Innocent
Don't wait (2022)
Acrylic on canvas
50 x 50 cm
(sold)

Why we like it

What do geometrical shapes have to do with love? Ghanaian artist Kpe Innocent explores human connection, inclusion and belonging through his voluminous semi-autobiographical characters.

07

denise rudolf frank

Denise Rudolf Frank

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denise rudolf frank

07 Denise Rudolf Frank
The Viennese (2022)
Oil and acrylic on canvas
60 x 50 cm
(sold)

Why we like it

Denise Rudolf Frank's autobiographical pen spirits her colorful and enigmatic paintings, as she explores the vitality and tactility of life. Her process is deeply personal and cathartic and should not be understood but felt!

06

marguerite piard

Marguerite Piard

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marguerite piard

06 Marguerite Piard
Les herbes magiques (2022)
Oil on panel & plaster
24 x 19 cm
(sold)

Why we like it

Marguerite Piard´s paints portraits of carefree women relaxing at seaside with a non-voyeuristic sensibility. She goes as close as the skin allows in order to celebrate the vulnerability of female bodies, protecting them from constant sexualization, evaluation and criticism through the filter of her palette.

05

elisa alberti

Elisa Alberti

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elisa alberti

05 Elisa Alberti
Untitled (2022)
Acrylic on wood
30 x 24 cm
(sold)

Why we like it

A perfect act of balance. Peeling layer by layer of Elisa Alberti´s minimalist paintings, every line, shape and color is met with absolute control and precision. The purity of the form stands for itself, liberating her aesthetically-pleasing surfaces from any representative or symbolic order.

04

motonori uwasu

Motonori Uwasu

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motonori uwasu

04 Motonori Uwasu
House and car(2022)
Acrylic on canvas
72 x 60 cm
(sold)

Why we like it

Motonori Uwasu playfully turns distorted snapshots of pastel colored cars and houses in suburban landscapes into metaphorical imageries exploring the construction and deconstruction of memory.

03

jochen mühlenbrink

Jochen Mühlenbrink

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jochen mühlenbrink

03 Jochen Mühlenbrink
WP (2022)
Oil on canvas
60 x 50 cm
(sold)

Why we like it

Jochen Mühlenbrink has perfected painterly illusions through his trademark trompe-l’œil technique, taking a philosophical approach in trying to grasp the space between reality and delusion, knowing and unknowing, the visible and the hidden.

02

shenghao mi

Shenghao Mi

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shenghao mi

02 Shenghao Mi
Untitled (2022)
Acrylic on canvas
80 x 65 cm
(sold)

Why we like it

Shenghao Mi´s brush is his sword, the canvas his battlefield. Leading a crusade against the notion of perfection, his work is situated in the blurry intersection between abstraction and figuration, setting us free from the traps of the sublime gaze.

01

jan rybnicek

Jan Rybníček

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jan rybnicek

01 Jan Rybníček
Again and Again (2022)
Acryl and spray on canvas
60 x 45 cm
(sold)

Why we like it

Shenghao Mi´s brush is his sword, the canvas his battlefield. Leading a crusade against the notion of perfection, his work is situated in the blurry intersection between abstraction and figuration, setting us free from the traps of the sublime gaze.