70 Judith Grassl
Arrange Déjàvu (2024)
Acrylic on wood
65 x 55 cm

Why we like it

Grassl's research revolves around a compositional synthesis akin to collage. Furthermore, she merges pictorial tangible forms with shifting states of light, achieving a perfect harmony between clarity and ambiguity. Natural and familiar elements, deconstructed and reimagined as three-dimensional, float from past to present and act as exploratory channels for time perception.